Concerts
June 29th, 2010This week our house is flurry of music. On Friday Lio is playing a duet with his grandfather Nigel (“Clocks” by Coldplay) at a concert organized by his super-dynamic piano teacher at a village hall near-by. Now when he’s up before 6:00 I don’t get dragged into the day by him rattling his bin of Legos but by him practicing his song. As I pull myself out of bed I am boundlessly grateful that he’s motivated to play on his own — it’s really not a bad way to start the day.
On Saturday morning he’s got a violin concert at the local secondary school where he’ll play a little Bach piece and an American folk song with about a dozen other kids. And in a couple of Fridays he’s going to sing “Westering Home” at a concert organized by his super-enthusiastic singing teacher at our local church hall. Music has really become a significant part of Lio’s identity in the past three years. It seems another inexplicably odd little gift: his connection with music is something that evolved out of his music therapy— something thrust upon us three years ago as a necessary part of his neurological rehab. He is amazing when he plays and he can concentrate on music unlike anything else.
Things like music and his drama club play coming up tomorrow (Lio is the Knave of Hearts in Alice in Wonderland) are good in and of themselves, but they’re also great distractions from his leg. When he’s playing he’s better at putting the pain aside. His super leg is stronger, longer and straighter than at any time since the accident, but unfortunately it’s not always functioning as well as it did a year ago (even though it was crooked then). We (mostly he) endured six month of torture in the lengthening frame and he does have a much better leg better leg to show for it most respects. But the complications have continued to dog us. About four weeks ago he broke his tibia (the lower part) of his super leg doing nothing more involved that throwing stones in a field. After one particularly good throw he just followed through a bit too far and bent his knee more than he had been able to previously. The tendons that run over the knee didn’t break but the strain did cause a hairline fracture along the upper part of the shin. This led to immediate pain and necessitated lots more trips up to surgeons in London. It set us back on his physiotherapy: where he had almost been able to extend his knee fully he now struggles to get it straight. And because the leg is now straighter the bones coming into his knee are now in a different alignment—this means that he’s got quite a pronounced click in his knee when he flexes. When he over-does things this can get quite uncomfortable.
But when we last saw the surgeon two weeks ago he (someone not known for a perpetual smile) beamed at us with a touch of pride on his face. He said, “You’ve done the hard bit, all you have to do now is get the last bit of extension and enjoy the fruits of all your hard work.” Even if some problems remain, it’s still early days yet. We have a year, says the surgeon, to get his leg bending and extending fully again. Extension is by far the more important (and the one Lio has more difficulty with) because if we don’t conquer it now it might become a permanent problem that might put added stress on his already compromised knee. It’s good to have a clear target and full extension is in our sights. But the physio, as it did when he had the frame on, is putting some strain on our relationship. He sometimes hates me for it.
After three-and-a-half years of filing documents with our lawyers, three-and-a-half years of itemizing all of our expenses, three-and-a-half excruciating years of writing formulaic legal statements about what Sasha contributed to the family, the case for Sasha was finally resolved a few weeks ago. The amount we received (a fraction of what Sasha would have added to the family pot over the course of what would have been her glittering career, a fraction of my loss of income to date, a fraction of what we’ve spent so far, plus an insulting £10,000 for “emotional pain and suffering”) was a bitter pill to swallow. I had rejected several offers, the first offensively inadequate. But eventually my lawyers advised me that we had reached a point where we might be risking £100,000 in legal fees in an attempt to increase the settlement by another £50,000. In the end I looked at our medium term needs and decided that the offer on the table would probably allow me to do what I need to be doing with Lio until his own case is settled. Still, it left a bad taste in my mouth and, when I’m at my darkest, I can’t help but feel that that I didn’t fight hard enough for Sasha. But at least that part of things is over and I’ve gained back a big piece of my time.
The hearing to formalize the settlement was held at the Royal Courts of Justice in London. The building, a masterpiece of Victorian architecture, is staggeringly huge, with the form and style of a medieval cathedral (only much bigger). When you walk through the arch into the implausibly high main hall with stained-glass sunlight dancing around statues cut from Italian marble, you feel a bit as if God himself is about to pass judgment on your case (no doubt precisely what the architect G.E. Street intended). Our judge, Justice McCombe, was extremely gracious and sympathetic, addressing us directly. He spoke so kindly about Sasha that I felt he had really absorbed something of her from the reams of paper that made up his case file. As he conclude he looked at Lio and said, “I hope one day you’ll be able to appreciate your mother’s book on Romeo and Juliet.” At that the hair on the back of my neck stood up and I was moved almost to tears. But as we left the Courts through the main hall, walking across a mosaic the size of a football field, I couldn’t help but feel that it had all been a great anti-climax.
According to its website the Royal Courts of Justice were the thing that killed the architect G.E. Street. Apparently the stress of the project did him in and he never got to see it finished. I found myself empathizing with him in the days after the hearing because our own building project was threatening me with an ulcer. Since December we have been converting a dilapidated old house in the village where Lio goes to school into something comfortable and livable with a bedroom and a bathroom on the ground floor—things that will come in very handy for Lio’s future operations. We signed a contract with a new construction firm with three directors: two Steves and a Tim. In February the two Steves discovered that Tim was cooking the books and so they forced him out of the company—but not before he had managed to drain their bank account of £9,000. Then in March one of the Steves broke his leg playing football with his sons. Then in April the other Steve had a heart attack on the roof one Saturday morning. His doctor told him he had to find a new line of work if he wanted to live to see 50—leaving me with only one Steve with a broken leg. Fortunately he was by far the best of three and the project has picked up tremendously since his leg came out of a cast. We’re behind schedule but not over budget and I really like most of their finishes. I’ve bribed them with a bonus if they get us in by the end of July, something that would make all concerned very happy.
After some initial reluctance Lio is more and more excited about the new house. He keeps asking me when he can go to the site and do some work (he had great fun bashing some of the walls slated for demolition back in December). But there are still too many holes he could fall into so I’ve been putting him off by promising him there will be no limit to the hammering he can do once we move in (which is true). And I must admit that Lio’s not the only one, now that we’re over the worst with the early mismanagement of things behind us, I love going to the house too—watching it evolve, seeing the images I had in my mind’s eye for so many months take physical form. When I’m there I channel lots of memories of working on building projects with my own father 25 years ago. I look forward to making some memories like those with Lio, and maybe I will give him a hammer and a nail apron sooner rather than later— but I’ll probably wait until most of the holes have been sorted out.



















































































































































